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Larson invited Leacock to his ramshackle fourth-floor walk-up on Greenwich Street to hear a cassette tape he’d made of his songs. Leslie Odom Jr., Lin-Manuel Miranda and Karen Olivo during the opening night performance of “Tick, Tick … Boom!” in 2014. He originally called it “30/90,” a reference to his looming 30th birthday. He wrote songs and speeches about his career frustrations, O’Grady’s HIV diagnosis, a fraught relationship he was having with a female dancer, even his agent, who had stopped returning his calls. Inspired by Spalding Gray’s autobiographical “Swimming to Cambodia” and Eric Bogosian’s “Talk Radio” - both one-man shows - Larson conceived “Tick, Tick … Boom!” as a rock monologue delivered by a struggling composer named Jon. “So he went to work on a show that was just him, a piano and a band. “Jonathan was devastated by that,” his sister Julie Larson told The Post. Producers told Larson it was too big for off-Broadway and too advanced for Broadway. Playwrights Horizons staged a workshop, but then dropped the show. “It was unresolvable,” Sondheim told me when I interviewed him for my 2020 book, “ Singular Sensation: The Triumph of Broadway.” Stephen Sondheim, who had befriended Larson, thought the score, a mix of rock, new wave, techno and Broadway, was impressive. The other show was called “Superbia.” A sprawling, futuristic musical, it took aim at the corporate-controlled, mind-numbing entertainment culture. Larson wanted to set it on the bohemian Lower East Side. Aronson wanted the show to take place on the yuppie Upper West Side. But Larson and Aronson’s visions didn’t mesh. One was a modern adaptation of Puccini’s “La Boheme.” He’d written three songs, including the title song, “Rent,” with his collaborator, Billy Aronson. Larson wrote “Tick, Tick … Boom!” after two other shows he’d been working on fell apart. He died in 1996 at 35 from an aortic dissection caused by Marfan Syndrome, a genetic condition that affects the body’s connective tissue. Sadly, Larson isn’t around to see it, nor did he get to experience the well-received off-Broadway production that opened in 2001. Now, more than three decades later, “Tick, Tick … Boom!’ is a movie, directed by Lin-Manuel Miranda and starring Andrew Garfield.
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Larson begin writing the autobiographical “Tick, Tick … Boom!” in 1989.
IS ANDREW GARFIELD GAY IN TIK TIK BOOM MOVIE
Andrew Garfield (right) as Jonathan Larson (left) in the movie version of “Tick, Tick … Boom!” Netflix His 30th birthday was coming up in 1990, but he was still working as a waiter at the Moondance Diner in Soho. Larson had written some impressive scores, and had received a few prestigious grants and awards, but nothing he did went anywhere. He wanted to write rock musicals that dealt with contemporary issues at a moment when pop operas from Britain - “Cats,” “Les Miserables,” “The Phantom of the Opera” - dominated Broadway. And how you spend it matters.”Īt the same time, Larson was struggling with his stalled career aspirations. “He realized that you don’t know how much time you have. “Matt’s diagnosis shocked him,” Victoria Leacock, a close friend of Larson’s from college, told The Post. Now it was threatening someone he’d known most of his life. Working in the theater, Larson knew several people who had AIDS. In the late 1980s, Larson learned that Matt O’Grady, his best friend from childhood, had contracted HIV. “Tick, Tick … Boom!” - an early musical by Jonathan Larson, who created “Rent” - was born of sadness, anger and frustration. Lin-Manuel Miranda: I was ‘scared s–tless’ working on ‘The Sopranos’ Why the Oscars dissed Encanto’s ‘We Don’t Talk About Bruno’ Latino leaders urge Hochul to appoint a Hispanic as Lt.
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